b. 1980, Saskatoon SK, Canada.
Zachari Logan is a Canadian artist working mainly in drawing, ceramics and installation practices. His work has been exhibited widely, in group and solo exhibitions throughout North America, Europe and Asia, including: Athens, Amsterdam, Atlanta, Barcelona, Berlin, Brussels, Cincinnati, Chicago, Calgary, Edmonton, Grenoble, Kochi, Halifax, London, Los Angeles, Miami, Milan, Montreal, New York, Ottawa, Regina, Paris, Seattle, Tampa, Toronto, Winnipeg, Verona, Vienna and Yonkers. Logan has attended residencies in Paris in conjunction with Galerie Jean Roch Dard, in rural Tennessee at Sassafras ARC/Liberty, in Calgary through Alberta College of Art + Design: Visiting Artist Program, in Vienna several times through both the Museum Quartier’s quartier21: Artist in Residence Program and project space Schliefmuhlgasse 12-14, and in London at Angus-Hughes Gallery. In the spring of 2015 Logan attended the International Studio and Curatorial Program (ISCP), and returned to NYC during the winter of 2016 as artist in residence at Wave Hill Botanical Gardens in the Bronx. Logan has received numerous grants from the Saskatchewan Arts Board, Creative Saskatchewan and Canada Council for the Arts and in 2016, received a Peter S. Reed Foundation Grant (NY). In 2014 Logan received the Lieutenant Governors Award for emerging artist, and in 2015 an Alumni of Influence Award from the University of Saskatchewan. 

Works by Zachari Logan are found in private and public collections worldwide; including the National Gallery of Canada, Art Gallery of Ontario, Remai Modern, Leslie-Lohman Museum (NYC), McMichael Canadian Art CollectionMackenzie Art Gallery, Scarfone Hartley Gallery: University of TampaToronto Dominion (TD Trust) and Cadillac Fairview among others.

Pool 2, after Mary Delany, pastel on black paper, 59 x 130 inches, 2016. Toronto Dominion TD Trust, Permanent Collection.

BIO   
Through large-scale drawing, ceramics and installation practices, Zachari Logan evolves a visual language that explores the intersections between masculinity, identity, memory and place. In previous work related to his current practice, Logan investigated his own body as exclusive site of exploration. In recent work, Logan’s body remains a catalyst, but no longer the sole focus. Employing a strategy of visual quotation, mined from place and experience, Logan re-wilds his body as a queer embodiment of nature. This narrative shift engages ideas of beauty, empirical explorations of landscape and overlapping art-historic motifs.
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